Abstract, cubist-influenced illustration including a guitar, lemon, hand and a pipe. In this image, the artist refers not only to Picasso's still life compositions but also to the work of Magritte, who Byrne had admired since the 1960s. Byrne had written to Magritte in 1967, enclosing photographs of his own work, and received a reply that encouraged Byrne to keep painting. Printed in yellow, blue, and black ink.